Journal of Bengal Art, Volume 17, 2012

Original scholarly articles relating to the various aspects of the Bengal art in particular and art of the Eastern India and Bangladesh in general are considered for publication in the Journal of Bengal Art. Reports and information on archaeology architecture, sculpture, painting, epigraphy, numismatics, religion, ethnography and the spectrum of folk and decorative arts are welcome. New publications are received for reviewing. Notices and evaluation of exhibitions, seminars and conferences are also accepted. ------------ Susan L. Huntington :Bengal`s Artistic Legacy at Home and Abroad: Atisa and Other Connections with Tibet. Ranjusri Ghosh:Towards Understanding the Buddhist Environment in Two Brāhmannical Settlement Zones from Some Unpublished Buddhist Antiquities of Erstwhile West Dinajpur, West Bengal. Ayesha Begum:Residential Madrasa-Cum Mosques in Mughal Dhaka and their Characteristic Features. Ellen M. Raven:From Candragupta II to Kumāragupta I: Styles in the Patterning of Gupta Coin Designsy. Krishnendu Ray:Understanding Glimpses from the Caryapadas on Cotton-Carding and Their Probable Bearing on Seaborne Trade and Commerce of Early Medieval Bengal (C.9th / 10th Century C.E To 13th). Gourishankar De:Aunga Pots from Chandraketugarh: Masterpices of Ancient Bengal Helmut F. Neumann, Heidi A. Neumann:Picturing Deities and Everyday Life: Kantha, Embroideries from Rural Bengal. Amit Kumar Upadhyay:Harikela Coins: Study of the Bull Depiction. Shamir Isha:The Rural Woman of Kalna and Their Syncretic Fair of Majlis Sahib, Art and Culture. Adelheid Herrmann-Pfandt:The Maneala Temples in Paharpur, Mainamati and Vikramaaila: A New Interpretation. Madhu Khanna:The Representation of Goddess Tripurasundari in Bengal in the Context of the Formation of Vaisnava and Bengal Identity. Subhradip De:Woman-and-Tree Motif in Chandraketugarh Art .

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